That's 12 years difference. Exactly the same difference between my wife and I. So no, not inappropriate at all.Agent Sam Stanley wrote:A 35 year old dating a 23 year old is considered inappropriate?
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That's 12 years difference. Exactly the same difference between my wife and I. So no, not inappropriate at all.Agent Sam Stanley wrote:A 35 year old dating a 23 year old is considered inappropriate?
I expect the Pink Room scene may be mild compared to what we see in S3Soolsma wrote:Hmmm, the Pink Room scene has always been my least favorite part of FWWM. Though I like the song and don't mind the scene being there. It's just overly long and the scene as a whole just doesn't appeal to me.
Dunno, I kinda like listening to Lynch's music, like The Big Dream for example, but scoring parts of the new series? I remain to be convinced.. Very curious to see what he'll pull off and what 'more confident with his instruments' means.
it will appear as a swan- origami style. I love the pink room scene- never knew it had that name- it's really the red room scene- too bad that was already taken. Maybe ' the red and blue room '? It''s more accurate anyway.ForKeeps wrote:I hope when he's done it's not recognizable as an envelope.
Maybe this is how she caught Lynch's attention?Twink Peaks wrote:the owls are not what they seem![]()
Sara Paxton. She's on the cast list.Aerozhul wrote:Who is that?!
What is the other picture that doesn't load? I don't get the point of this post at all.mtwentz wrote:Maybe this is how she caught Lynch's attention?Twink Peaks wrote:the owls are not what they seem![]()
There are lots of similarities in Lynch's music to Badalamenti's, noticeably in the chord progressions, although Lynch's style seems to be 'rockier.' Badalamenti, though, can turn his hand to a huge number of styles and has done so in many films. I think theyve influenced each other to an extent.Soolsma wrote: Dunno, I kinda like listening to Lynch's music, like The Big Dream for example, but scoring parts of the new series? I remain to be convinced.. Very curious to see what he'll pull off and what 'more confident with his instruments' means.
Lynch often sticks to blues patterns, probably because it's an easy style and he hasn't read a lot of musical theory. But yeah Badalamenti is not unfamiliar with blues either plus his score can also be monotonous when a situation asks for it, like for example the Rabbits theme. But he's also capable of complexities that Lynch isn't. The Mulholland Dr. theme and Laura's theme are good examples.Gabriel wrote:There are lots of similarities in Lynch's music to Badalamenti's, noticeably in the chord progressions, although Lynch's style seems to be 'rockier.' Badalamenti, though, can turn his hand to a huge number of styles and has done so in many films. I think theyve influenced each other to an extent.Soolsma wrote: Dunno, I kinda like listening to Lynch's music, like The Big Dream for example, but scoring parts of the new series? I remain to be convinced.. Very curious to see what he'll pull off and what 'more confident with his instruments' means.
If there are lots of different locations in the new show, then I guess that will leave things open for lots of different musical styles.