Season 3 Magazine Coverage and Articles Worldwide
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- N. Needleman
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Re: Season 3 Magazine Coverage and Articles Worldwide
Eamon Farren talks to Vulture.
AnotherBlueRoseCase wrote:The Return is clearly guaranteed a future audience among stoners and other drug users.
- Mr. Reindeer
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Re: Season 3 Magazine Coverage and Articles Worldwide
On-topic for the spirit of the thread, if not the exact title: Dean Hurley is doing short weekly interviews with a radio station, collected here: http://blog.kexp.org/category/twin-peaks/
I only had a chance to listen to the most recent one; pretty interesting. He revealed that "Headless Chicken" is from the infamous mid-'90s unreleased Thought Gang album.
(Hmm, I don't believe there's a dedicated thread for the music of TR besides the "Roadhouse performers" thread....we should really have one of those!)
I only had a chance to listen to the most recent one; pretty interesting. He revealed that "Headless Chicken" is from the infamous mid-'90s unreleased Thought Gang album.
(Hmm, I don't believe there's a dedicated thread for the music of TR besides the "Roadhouse performers" thread....we should really have one of those!)
- chromereflectsimage
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- Mr. Reindeer
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Re: Season 3 Magazine Coverage and Articles Worldwide
http://www.vulture.com/2017/07/twin-pea ... andie.html
The Amy Shiels publicity blitz continues. Interesting/weird that she refers to the experience as the best four months of her life. Is she in a LOT of upcoming scenes?!
It really seems like none of the new actors met DKL during the interview process, which seems unusual for him.
The backstory she gives Candie here seems to shoot down people's theories about her being an undercover agent or whatever. Unless she's being deliberately deceptive, but she REALLY harps on it.
I wonder if there's someone on the production who determines who will give interviews each week? I'd kill for an Erica Eynon interview when all is said and done, but I'd settle for Jane Adams and/or Jennifer Jason Leigh.
The Amy Shiels publicity blitz continues. Interesting/weird that she refers to the experience as the best four months of her life. Is she in a LOT of upcoming scenes?!
It really seems like none of the new actors met DKL during the interview process, which seems unusual for him.
The backstory she gives Candie here seems to shoot down people's theories about her being an undercover agent or whatever. Unless she's being deliberately deceptive, but she REALLY harps on it.
I wonder if there's someone on the production who determines who will give interviews each week? I'd kill for an Erica Eynon interview when all is said and done, but I'd settle for Jane Adams and/or Jennifer Jason Leigh.
- Little Pine Cone
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Re: Season 3 Magazine Coverage and Articles Worldwide
I don't have scanning capabilities, so my apologies but the latest issue of Cinema Scope has a small three page spread on the new Twin Peaks.
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Re: Season 3 Magazine Coverage and Articles Worldwide
Vulture talks to Dean Hurley and others re: the music/sound of Twin Peaks 2017:
Also: another SPOILERish interview with Matthew Lillard. Bill Hastings: "He did it for the chicks"Perhaps most notably, Twin Peaks: The Return represents a huge shift away from the chock-full-of-music approach Lynch has historically displayed in his work. “The original Twin Peaks is very much like that, and some of the episodes are complete wall-to-wall music,” Hurley says. “And I think that becomes the saccharine, quick way to establish tone.” That’s also why the series managed to stay intact even after Lynch departed shortly into season two of Twin Peaks, though the quality of the plot itself suffered — something Hurley suspects may have been a consideration while crafting the sonic landscape of Twin Peaks: The Return. “I think that in retrospect — I don’t want to speak for him — but my impression of it is that affected the way he went into this. And he was, definitely, from the get-go, reaching and asking for much more soundscape-y kind of abstract, atmospheric things.”
These ominous soundscapes marry low-frequency rumbling and subwoofer-heavy tonalities, punctuating the many far-flung locales we’ve seen in Twin Peaks: The Return so far, from casinos to mysterious glass boxes in New York City. It’s almost a sister soundscape to the dark, dense blacktops of Lost Highway. As author Dennis Lim put it in his book about Lynch, The Man From Another Place, that particular soundtrack featured “enveloping darkness [that] gives way to flaring, overexposed white-outs. Dead air alternates with the belligerent soundtrack assault of metal-industrial bands like Nine Inch Nails and Rammstein … the dreamlike sense that everything is happening at a remove dovetails with the fixation on mediation.” Twin Peaks: The Return isn’t so different, given its subliminal effects on the senses and the extremities of the atmospheric score. “The scenes that are most successful that use very little music, and I still think [Lynch] thinks of that stuff … as music,” Hurley says. “So I think to him it’s like, ‘Oh yeah, that scene is scored with music,’ and other people are like, ‘I couldn’t believe the austere lack of music there.’”
[...]
The fact that many scenes in Twin Peaks: The Return are devoid of music at all is something that surprised Hurley, who’s been working with Lynch for 12 years. “Even myself early on, I was like, ‘Surely we should put music in the scene.’ And you know, being told, ‘No, leave it out,’” Hurley says of Twin Peaks: The Return. “I will say, first of all, I read the script before it was shot and even when you’re reading the script page, it was pretty obvious that the majority of that original finger-popping jazz quirk was not the tone of this thing.”
AnotherBlueRoseCase wrote:The Return is clearly guaranteed a future audience among stoners and other drug users.
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Re: Season 3 Magazine Coverage and Articles Worldwide
Chrysta Bell talks to Vulture with quite the headline.
AnotherBlueRoseCase wrote:The Return is clearly guaranteed a future audience among stoners and other drug users.
- chromereflectsimage
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Re: Season 3 Magazine Coverage and Articles Worldwide
I wonder what he means by:chromereflectsimage wrote:Everett McGill (Big Ed) interview
He’s obviously not having an affair with Norma, and he never would,
"I can see half my life's history in your face... And I'm not sure that I want to."
http://twinpeakssoundtrackdesign.blogspot.com/
http://twinpeakssoundtrackdesign.blogspot.com/
- Mr. Reindeer
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Re: Season 3 Magazine Coverage and Articles Worldwide
So, a small Spoiler from the McGill interview...
Spoiler:
- chromereflectsimage
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Re: Season 3 Magazine Coverage and Articles Worldwide
Good catch.Mr. Reindeer wrote:So, a small Spoiler from the McGill interview...
Spoiler:
I wonder if we will see inside Run Silent Run Drapes, or is all we are going to see of that, Nadine sitting at a desk, and the shot of the front of the store ?
Re: Season 3 Magazine Coverage and Articles Worldwide
"When I got the secret stuff, it had the name Santa Rosa all over it. When I got to dig a little deeper into it, I realized it was Twin Peaks."
he probably misremembers and Rancho Rosa was the "fake" working title for TP:TR
he probably misremembers and Rancho Rosa was the "fake" working title for TP:TR
Re: Season 3 Magazine Coverage and Articles Worldwide
SciFi Now (UK) - august 2017 :
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GQ (South Africa edition) - august 2017 :
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Inlander - may 2017 :
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The Atlantic - june 2017 :
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Geeky Monkey - june 2017 :
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Vulture Hound - august 2017 :
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GQ (South Africa edition) - august 2017 :
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Inlander - may 2017 :
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The Atlantic - june 2017 :
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Geeky Monkey - june 2017 :
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Vulture Hound - august 2017 :
Last edited by jeep on Wed Aug 09, 2017 10:04 am, edited 6 times in total.