mlsstwrt wrote:Hockey Mask wrote:Gabriel wrote:
And? Why should I care about what other people think?
If 100 scientists sit in a room and 96 of them declare the world is flat, does that mean the world is flat?
Keep in mind, ar least 96/100 scientists would declare the earth round. You're example incorrectly groups the majority in order to put yourself in the correct minority.
But neither does it follow that the majority view is the 'correct one.' If it were I'd have to acknowledge that Nicki Minaj's music and Michael Bay movies are the best things out there.
So I don't think the fact that most people disagree with Gabriel (or me) offers any proof that our view is 'incorrect'.
Disappointment verging on disbelief, miscasting, appalling acting, auteur arrogance, dreadful dialogue that makes the acting look even worse (‘Oooh, YOU’RE nice and wet’), fury directed at we sceptics, demands that nobody post pisstakes, claims that every last bum note is deliberate and that anything deliberate is necessarily good, sneering implications that sceptics just aren’t smart enough to get it, warily respectful but not all that enthusiastic mainstream reviews that will later become a dismissive consensus… this is True Detective S02 all over again, isn’t it?
It’s interesting how few of those yelling at us ‘The show’s flaws are deliberate! There’s a rationale behind them that you just can’t see yet cos you’ve only watched four hours!’ actually try to guess what that rationale might be. The only real suggestion I’ve heard, that Coop is feeling desolate so the audience should too, for fours hours minimum, is so late-night-weed-brainwave dreadful, accurate or not, that I’d rather pretend I never heard it.
As I’ve mentioned elsewhere, one possible explanation for the bum notes so far – what even most enthusiasts acknowledge as something being ‘off’ here – is that S03 is an homage to the Wizard of Oz and these amateurish early parts are the equivalent of TWOO’s black and white opening. Then when Coop reaches the equivalent of Oz the show will burst into ‘Technicolor’ and become a far more colourful, enjoyable, uplifting experience altogether.
Assuming for a moment there might be something to this, it’s actually a cool enough possibility. But obviously there are problems with it. Firstly, the black and white opening to TWOO is still beautiful and audience-friendly – just in different ways to the colour sequences. And secondly, no artwork I know of has ever rescued itself after four hours minimum of tediousness, deliberate or otherwise. So here are some questions for those who keep telling us the tediousness is deliberate and will be redeemed by what comes later:
1. Could you direct us to any other work in any medium that has pulled this off? Just for reassurance, like.
2. If this redemption comes after, say, fourteen hours of tediousness, will it have been worth it? If so, what level of redemption are we talking about here? Precisely what kind of earth-shattering revelation can redeem fourteen hours of boredom?
3. If the redemption never comes, or it comes only briefly before a return to more hours of Lynchian tediousness, how will you feel then?
4.
Lynch on Trump, mid-2018: "He could go down as one of the greatest presidents in history."