EXCERPTS FROM A SHOOTING DIARY
Tuesday, September 3, 1991D-day minus one. Arrival of Special Agent Dale Cooper, alias Kyle MacLachlan. David Lynch, who wants this character to be as 'clean' and respectable as possible, runs his fingers on the back of the actor's head to check the length of his hair and promises as a 'hello': "Not short enough yet..." Thursday, September 5 - 2nd DayWarm and relaxed atmosphere. David is calm and kindly, as heedful of the actors' performances as of the quality of sound. He follows the shooting sitting in front of a small video monitor. He often uses two cameras and prints a lot of takes that give him a wide range of possibilities for editing. Monday, September 9 - 5th DayHospital scene. For the lighting of the room, Ron Garcia, the director of photography, only uses four 5 KWA projectors. He often diffracts the light, multiplies the flags and can wisely take his time for important sequences and be faster for minor scenes. Friday, September 13 - 9th DayThe clash between Cliff Howard the deputy and Desmond the agent is shot with three cameras, one being mounted on a Steadicam. You can easily see that Chris Isaak (Desmond) has practiced boxing; his coordination is perfect. "The hardest part is to hold back your blows", he confesses to me after having calmly but viciously twisted his antagonist's nose.
Monday, September 16 - 11th DayOn the 'Red Diamond Motel' parking lot. David walks towards me, looking cheerful, rested and ready to go. For the first time, he kisses me. That's nice - it makes me feel a little bit as part of the family. He is in a great mood and full of humor, joking with everybody on the set.
Thursday, September 19 - 14th DayLocation: 'The Double R' diner'. Before the shooting of the pilot of the series 'Twin Peaks', business was bad and the owner baked her own pies. Since, she has hired three persons to handle the rush of tourists. 'Twin Peaks' was a breath of oxygen for this underprivileged area, where the wood industry no longer provides sufficient work and income. A huge pile of sheets of paper sits on the counter: it's a petition to obtain prolongation of the series! Across the street, a souvenir shop sells mostly 'Twin Peaks' subproducts: tee shirts, books, postcards, badges, etc. We shoot the scene where a mysterious old lady, with her masked grandson, offers an engraving to Laura Palmer. The woman has an surprising silhouette. Very tiny, she wears a dark suit and has a little hat emphasizing her passé look. The little boy is just as bizarre, dressed like a first communicant of the Fifties. The shooting goes on till the end of the afternoon, because David takes his time with the child and regularly lets him have a break. (Apparently, Americans are stricter than we are about child actors working hard). Saturday, September 21 - 16th DayShooting in Laura and her friend Donna's high school, in a clean and pretty little town, about thirty miles from Seattle. First shot: students coming out of school. To help actors and extras find the right rhythm, David puts on some music, which makes their movements more natural, lissome and fluid.
Wednesday, September 25 - 19th Day
Location: Laura's house. Monday, September 30 - 23rd DayWhile we shoot a short scene with Laura and Bobby, a small team shoots landscapes with cars and a shot of Teresa Banks' body drifting along the river. The camera had to be seen on the opposite bank of the river, so the technicians climbed into a raft led by three men in rubber suits. Tuesday, October 1 - 24th Day
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